Відео

I think Lamond plays this quite well.

This is delightful. Sutherland holds herself like the great lady she is portraying.

"Truth brought forth names in the world for us, and no one can refer to truth without names. Truth is one and many, for our sakes, to teach us about the one, in love, through the many." (-Gospel of Phillip, Gnostic). Best tempo, M.M. 66- possibly meaningful, 66 is the number of Perfected Work... Praeludium, etc.. Klavierer hier ist *wirklich* Solomon... Stil sittlich zu der Zeiten, alles wirklich schnell- mir scheint es moeglich ein bisschen flachlich irgendwie.

I can not understand why they waste money and time making versions of Moby Dick when you can not better this one, the same with Treasure Island made at the same time in the wonderful 1950s, WHEN THE GOING WAS GOOD!

The start when he nearly loses his footing 🙈

Maravilloso. Igual prefiero a Lemeshev. Pero los dos extraordinarios.

madness, blood and thunder. Brilliant film and acting.

la virtuosité absolue..J'écoute et avance dansvmon appréhension de ces monuments..de sensibilité

Wagner tenors are best after 40 - 45 of age :) what a strong voice!!

14:16 and this ... a wonderful garden of sudden accelerrandi, pianissimmi, mezza voce lines, inner secret rythmic impulsions, incredible accents here and there, and a dynamic range free like a bird .... treasury ....

🎉🎉🎉❤❤❤❤❤❤🎉🎉SHE WAS AN AMAZING SOPRANO WITH A AN AMAZING VOICE AND TECHNIQUE.

Wake yer a55 up. If you think that this is bs?? Remember during covid where mayor's and other a holios were saying "Do this, dont do that etc". The media pushed that ish. The media and the government said "if yo see anyone going agianst the system and not obeying the rules,,,report them". Dont let it happen agian folks. Stand up or we will be destroyed by big brother/NWO puppet masters.

A great singer, up there with the best 👍👍

The Andante spianato is in G. The polonaise is in E-flat.

This excellent clip is from Tibbett's 1935 film "Metropolitan".

Fabulous!! Peck was brilliant.

❤

What a gathering. I idenified Josef Lhevine and Jose Iturbi. Who is the third? Walter Gieseking is another along with Schnabel, Kempff, Fischer Arrau etc who made wonderful recordings from the thirties foerties and fiftties.

Sznordik. Yet madde von de melon ,ha

❤❤❤

Eccellente interpretazione!!!

Bravo. Some scrambling but very exciting indeed.

The singing tone in the transformation to B major is fantastic.

This film was definitely based on the 1953 television adaptation

I noticed that the subtitles called the whale "Smokey Dick" 🐳😂

I think she is not singing in the right key.

It takes a truly great artist like Johansson to truly bring out the quality of this work. Czerny was a good student and it shows. He past this quality on to Liszt, who was also a great student, and learned his lessons well..

Josef Hofmann did not have as much depth and intensity of expression or physical ease of execution as Josef Lhevinne

Странно что в оркестре нет литавр. В самом начале бас же даёт литавра. Ми минорное арпеджио.

1961 ГОДА. ЕСТЬ ЕЩЕ ОДИН ОТРЫВОК ЭТОГО ГОДА: ua-cam.com/video/aSRyG6mjnM4/v-deo.htmlsi=MbHVrj7Ldv1SMGiA. МОЖЕТ ЕСТЬ ПОЛНАЯ ВЕРСИЯ ПОСТАНОВКИ ЭТОГО ГОДА?

ИЗ КАКОГО КОНЦЕРТА ОТРЫВОК? И КАКОГО ГОДА

Какая же нежная, удивительно красивая музыка! Так мог сочинить только он! Талантище! Моя любовь!

A great upload. Thank you. This is Piatigorsky at his best, live and not messed around by technicians. The performance also shows Sargent's orchestral mastery, which was often overlooked until very recently perhaps because of association with his Proms Last Night shows. The generation now in their 70s+ saw these on TV and assumed that 'Flash' was really the Last Night persona in real life. Far from it and the carnation with impeccable appearance was actually to cover his shyness as a man and musician. Sargent and Walton had similar personalities and origins, both having to work hard to make music where they could and be creative when there was time for the new. We tend to forget how much new music Sargent introduced to the public at home and abroad slotted into a more conventional repertoire. It is also too easy to forget that Walton was so exact in composition that it made him slow and he dreaded the routine of actual writing down the sounds he wanted. His manuscript scores are similar to Stravinsky's in neatness because neither composer wanted to be reminded of 'mistakes' on a page. Walton and Sargent had met as organ scholars and their idea of a good afternoon (when Walton visited England) was to find a decent church organ and compete in improvisation, usually in Bach pieces. Holst and Stokowski had done the same in previous years. The BBC SO in the late 1950s had benefited from Boult's training and reconstruction after WW2 and when Boult was forced to retire at the BBC contract age (for messy personal reasons perpetrated by a BBC executive) and Sargent was asked by Boult and others take over. Sargent cautiously signed a partial contract, conducted other orchestras and projects so that there was solidarity with Boult and the composers and conductors who resisted the BBC's orchestra managerial ways. The music makers of that era were internally loyal to each other and similarly stood up to record industry businessmen who got too big for their boots. The version of the 'cello concerto played here is the full orchestra one which Walton later pruned for economy but both remain published and can be chosen from by the musicians participating. This is a truly great 'cello concerto and is more often given on the Continent than in the UK for some reason.

Великолепный голос! Тембр!❤ Абсолютная дикция!

I'm afraid you made an error: this is the Canzona from Venezia e Napoli.

beyond imagination!

Age 50-51

HER MIDDLE RANGE WAS RICHER THAN EVEN BIRGIT NILSSON'S imo...like many said who heard TRAUBEL in those times..her s was a TRUMPET of a voice...

Regal 🔔 flowing of sound, 🌬️ voice is so present.

What a powerhouse performance. No wonder Sirota was one of Busoni's Golden Boys.

Great movie

Del monaco lo surclassava

Ginzburg was not given to unbridled emotion; contrast this relatively violent performance with his reticent fourth Chopin Ballade. But even here listen to the way Ginzburg floats the first movement’s galloping rhythm. Though known for his Liszt I believe Ginzburg had a much stronger affinity for Chopin and, late in his short life, Mozart.

Her voice is so crisp and clear for the time this was recorded in!❤️❤️❤️❤️❤️❤️❤️

Not enough evidence to support the Rubinstein identification. The wish is father to the thought.

👏👏👏👏❤

He was past 60 and sounds better than tenors of today who are 20 years younger

Magical.

la rosa

The grand manner intact however much this twilit performance may be regretted, even by Rosenthal’s pupil Charles Rosen, and immensely moving. As with all of Rosenthal’s recordings we get a stronger sense than anywhere else - even from Pachmann - of Chopin’s sound, often described as silvery though with subtle depth, each supple finger possessing its own voice. The legato, with little or no pedal, is seamless. We’re hearing a man who studied with Mikuli, Joseffy and Liszt. While lineage and five dollars no longer gets you a cup of coffee , really, I know of no one quite like Rosenthal, whom Paderewski called the supreme Chopin player. Thank goodness he eventually sat for early electrical microphones. The youthful power may have ebbed but poetry and charm remained in abundance. Thanks for sharing.